July, 2014

 
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Issue #58



All The Tales
Shotgun Wedding
by Steve Myers

There were two of them: the girl, maybe fifteen but more likely just fourteen, in a beat-up straw hat and a worn dress reaching to her bare feet and the flour sack over her shoulder; the boy, wearing overalls, nearly a head shorter than the girl and in a straw hat too and his shoes tied together by their laces and hung around his neck, and carrying a single-barrel shotgun. They both were stepping along at a good pace there along the road, when I come up on them and slowed the horses to a walk.
     They looked up at me and I said, "You like to ride a spell? I'm going into Showdown. I can take you that far."
     The boy gave me a hard look as if weighing me somehow and standing there with his body tense and the shotgun, over half his size, in his hands. The girl whispered to him and he nodded.
     I stopped the horses and they came over to the wagon. "One of you can sit up here but the other will have to ride with the freight." I wasn't carrying much — two large spools of telegraph wire and a crate with pliers, wire cutters, and hammers — and that's why I only had two horses instead of a four-up team. The railroad hadn't made it to Showdown yet and I worked hauling freight from Red Ridge. They were running a telegraph line from Showdown up to Howard Randal's gold mine up in the high country.
     The boy climbed in the back and took a seat on one of the spools. He gave me another hard look, far too hard and serious for how young he was, and then turned his back. The girl got up on the seat next to me and put her flour sack between us. She said, "That's kindly of you to offer us a ride. We've been walking now four days and three nights."
     She reached into her sack and brought out two dry corn cakes. She offered one to me and when I shook my head no, she turned to the boy. "Adam, ketch." The boy spun round to grab the tossed cake.
     I handed my canteen to her. "You might want to wet that so you can swallow it."
     She did and then called to the boy as she showed him the canteen: "Adam?"
     He said nothing, only turned his back again.
     I started the horses moving with a slap of the reins across their backs.
     "If you don't mind me asking, where you two going?"
     "Same as you," she said. "We're going to Showdown."
     "You got folks there?"
     "No."
     "Well, Showdown is a mighty rough place for a grown man, let alone a slip of a girl and a boy."
     "We don't aim to stay. I'm going there to get married."
     "Married?" And I glanced back at the boy.
     She laughed. "No, Adam's my brother. His real name is Adam Two because Adam One died when still a baby and so when the next boy come along Pa said he had to be Adam Two. He's the only boy. I have five sisters, all younger than me. I'll be fifteen next month. Adam's near eleven. Now that Pa's dead, Adam's the man of the house, as Ma says. That's why he's along. My name's Lucy Ann. What's yours?"
     "Luke."
     "Luke? Like in the Gospels?"
     "Yep."
     "Luke is a good name. My future husband's name is Cecil Edwards. I don't care much for Cecil, but I didn't name him."
     "Is he waiting for you in Showdown?"
     She laughed again, really amused this time. "Oh, no. He doesn't know I'm coming. You see, he promised to marry me if I did what I done and I did it . . . more than once. You see, that way I could have babies of my own and I'm of an age now to have them. But he left town and he'd told he was going to Showdown to the gold strike, so that's why we're going there."
     "You think you'll find him?"
     "Oh, yes. He stands out like a birch in a piney woods, as Pa used to say. Oh, he is sure pretty . . . for a man. And he wears fancy clothes and talks so soft and easy and has real curly hair. I'll know him right off."
     The afternoon sun was bright and warm. The trees and the fields were green except for the yellow tips of the high grass. Every once in a while a flock of birds would rise out of the grass and whirl around before dropping back down. In the distance the high Sierras reached into the sky, the peaks white-capped. Far off to the south I could see the shimmering reflection of a river. I figured, rightly, it was the Showdown.
     There was nothing but shade and shafts of light and birds calling to warn others about us as we moved along. We went down and up through several dips in the road and the wagon groaned and swayed. Then the road was straight and smooth. After two hours or so I could see a town ahead and we passed a few small cabins with a man or woman with a hoe working in a garden. They turned to wave at us as we went by.
     Soon more cabins and even a house or two with a barn popped up and suddenly it was Showdown City with regular wood buildings, some with two stories, and men and a few women on the wood walks along Main Street. I stopped in front of the Wells Fargo express office.
     A man came out and I said, "This is the wire and tools for the mine."
     "All right, we'll get it from here. Get yourself something to eat and be back in an hour or so to get your wagon."
     "Got anything going to Red Ridge? I hate to haul an empty wagon."
     "I'll see about that."
     I looked at that girl's open, trusting face, and I felt I should do something. I said, "Say, could you tell me if you know a man named Cecil Edwards?"
     "Don't know. What's he look like?"
     Lucy Ann repeated what she'd told me.
     "Oh, yeah, a man like that come in on the stage maybe a week or so ago. Gambler type, he was. He set up down to Fancy Dan's, that saloon across from the hotel. But you won't find him there."
     "Why not?"
     "If he's the man I think he is, he's in jail. There was some hellacious row at Fancy Dan's last night about cheating at cards and all and he was involved. A miner was shot, but he lived. You want to stop by Bert Miller's, the marshal. His office is right up the street."
     The girl turned round to her brother and said, "Adam, best put on your shoes now we are in town."
     I led and was followed by Lucy Ann and Adam like a hen and her two chicks.
     Miller, smoking a cigar, sat at his desk playing solitaire. He only glanced up when I came in, but sat up straight when the girl and boy followed.
     "Marshal," I said, "do you have a man called Cecil Edwards in your jail?"
     "I got a man in a cell back there but he claims to be Edward Seavers."
     "Could this young lady take a look at him?"
     "Why?"
     Lucy Ann said, "Cause he said he was going to marry me and, after what he done, he has to."
     Miller asked me, "What the hell you got to do with this? Is she yours?"
     "No. But how is it going to hurt to let her see if your man is her man?"
     Miller shrugged. "I suppose not. Hey, what the hell is that boy doing with that shotgun?"
     "I figure it's to make sure this Edwards keeps his promise."
     Miller laughed. "Don't that beat all. All right, you can take a look at him. He goes up before Judge Buchanan this evening. The judge sleeps late."
     "For what?"
     "'Cause he can, I guess. Hell, how should I know? He's the only law here."
     "I meant, what's this Edwards or Seavers going up for?"
     "For shooting a miner. The miner claimed Seavers cheated and it got loud and rowdy and the miner pulled a pistol and Seavers shot the miner with a Derringer. The miner lived, which saved Seavers from the rope, but cheating at cards is a serious offense here. Not quite hanging, but damn close."
     "What will they do to him?"
     "Strip him, tar and feather, and ride him out on a rail. Just another tinhorn getting what he deserves."
     "Well?"
     "Well, what?"
     "Can we see him?"
     "Why the hell not?"
     We followed Miller into the back where there were three cells. In the last one was a man in a fancy suit, a dirty white shirt, a string tie, and a mean-looking shiner. He stood with hands on the bars.
     Lucy Ann ran forward and said, "It's him, it's him!"
     Edwards or Seavers stepped back and said, "What the hell is this?"
     Miller said, "This girl says she knows you."
     Lucy Ann said, "He promised to marry me."
     Seavers said, "What the hell? I never saw her before. I never promised to marry no one."
     "You did! You did!"
     Miller said, "Well, if he did or didn't, it doesn't make much difference. He sees the Judge. If it was up to me, I'd hang the bastard, but that hot tar on his hide will almost be as good."
     "What?" Seavers or Edwards said. "Hey, they can't be going to do that. I'm innocent."
     "Hell you are, " Miller said. "The Judge don't like cheaters or tinhorns with derringers." He turned to me: "You ever see someone tarred and feathered? You can peel the skin off like he was a pit-roasted pig."
     Lucy Ann said, "Cecil, you promised to marry me and you better."
     The boy Adam's eyes locked onto Edwards-Seavers.
     Miller said, "All right, you seen him. Is that it?"
     Lucy Ann said, "He has to marry me. That is how it has to be."
     "Girl, he don't have to marry nobody. If you want to marry him after we're finished with him, I don't give a good God damn. Of course, he won't be worth spit by then."
     Miller turned around and sort of shepherded us back into his office.
     "All right, you seen him and that's all there is to it."
     "No," Lucy Ann said, "he will marry me. You have to make him."
     Miller leaned back in his chair, smiled, and said, "You go see the Judge about that."
     I asked, "Where is the Judge?"
     "Maybe asleep in his room. Maybe asleep in his office. Maybe asleep in the arms of one of Maude Denker's fancy ladies. Or maybe over at the hotel restaurant getting a free meal."
     "Which is most likely?" I asked.
     "If he's awake, probably at the restaurant . . . although he likes to have a wake-up shot at the Showdown Saloon or at his office."
     I'd known the Judge in a passing way for a few years so I knew where his office was. We headed there first.
     Judge Buchanan was in his office, seated at his desk, and drinking a glass of whiskey just poured from the bottle in front of him. He was large, with a red and puffed-out face and blurry eyed.
     I entered with the girl and the boy right behind me.
     He asked, "What can I do you for?"
     I was about to speak when Lucy said, "He has to marry me."
     "What? Who? Huh? What's this all about, Luke?"
     I explained as well as I could and that her Pa was dead and the only man in the family was the boy. The Judge thought about it and said, "I'm sorry, miss, but it is up to him whether or not he marries you."
     "But he promised."
     "Unless you have something in writing or a witness, I don't see where you have a case. I don't doubt a no-account tinhorn like this Edwards or Seavers would lie to a young lady to gain her favors, but I don't see how I can force him to do anything . . . other than hang. And even that sweet and just result is precluded by the nature of his offense. If the miner had died, then it would've been simple. It's another story now. I guess we'll just tar him."
     "That's not right," Lucy Ann said.
     "Girl, there is no right or wrong in this world. You must learn that. Now, I would have to examine the statutes to see if he sexually assaulted you while you were under age, but I believe you are over twelve years."
     "I sure am."
     "And these sexual relations were with your consent?"
     "Consent?"
     "You agreed to them? He didn't force you?"
     "Oh, I agreed because he said he would marry me."
     "I see your point, young lady, and I agree it isn't exactly just to let him off without fulfilling his promise. No doubt he is an unprincipled bounder of the worst kind." He sat there thinking as he sipped the whiskey. "No doubt he took advantage of an innocent young lady. I say, let's visit your prospective bridegroom. There is a possibility he might see the error of his ways."
     We all followed the Judge along the boardwalk back to the marshal's office.
     The Judge said to Miller: "I want to speak to your prisoner."
     Miller led us back to the cell where Edwards-Seavers stood with a cat smile on his face.
     The Judge said, "Mr. Seavers or Edwards, what is your real name?"
     "Daniels."
     "All right, this young lady says you promised to marry her. I'm inclined to believe her."
     "So what?"
     "Well, I have been considering your case. The correct sentence for cheating at cards is to be tarred and feathered, but the appropriate sentence for attempted murder is hanging. It is my opinion that you attempted to murder the miner Henry Vogel. Therefore, you should be tarred and feathered and then hanged."
     "No! God damn no! You can't do that."
     "I sure as hell can, Mr. Daniels."
     Lucy Ann asked, "Can he marry me before you hang him?"
     The Judge looked up at the ceiling as if weighing the question.
     "Judge," Daniels said, "if I marry her, would that help? I mean, would that make any difference?"
     "It might."
     "I need to know."
     "Well, I couldn't rightly hang a newly-married man. I don't see where I have the right to put asunder what God would join together."
     "And what about the tar and feathering?"
     The Judge was quiet for a long time. Then he said, "That would depend on the bride. Young lady, should we tar and feather him?"
     "I don't know," Lucy Ann said. "Could he still marry me?"
     Daniels was shaking now. He said, "Lucy, I meant all I said. I meant to marry you. I love you. I came here to get money so we could get married. I was only thinking of you."
     "Did you mean it when you said I was the prettiest thing you ever saw?"
     "Yes, Lucy, yes."
     "Did you mean it when you said I was the joy of your life?"
     "Yes, yes."
     "All right," Lucy said to the Judge, "don't hang him or do the other . . . as long as he marries me."
     Judge Buchanan said, "Well, no time like the present. I have the authority to marry you two. Girl, come over here. Daniels, reach your hand through the bars there and take her hand. Marshal, you and Luke here are witnesses."
     Lucy said, "No, wait." She dug into her flour sack. "Everybody turn around or close your eyes. You have to."
     I cheated. I saw her take off her straw hat and worn dress and pull out a clean new white dress from the sack. She put on the dress and then a pair of woman's shoes that had to belong to her mother. She said, standing wobbly, "I'm ready now."
     She took Daniels's hand and the Judge recited, from scrambled memory, a scrambled version of the marriage vows. He did remember to finish with "to love and to cherish, till death us do part."
     "By the power vested in me by the sovereign state of California, I pronounce you man and wife. But don't you dare kiss the bride."
     "All right, now, let me loose," Edwards-Seavers-Daniels said.
     Miller looked at the Judge and Buchanan shrugged. "I didn't want to bother with a hanging anyway."
     Lucy said, "I want a piece of paper that says we're married. Ma has one in a frame on the wall in the parlor. I want one too."
     Buchanan said, "I'll make out one for you in my office. It will be as official as you want."
     Daniels said, "Look, I married her. Let me loose. Hell, since she's my wife, we should have a night together and a honeymoon."
     Miller went into his office and came back with the keys. He unlocked the cell and Daniels stepped out. He grabbed Lucy by the waist and lifted her. "Now you're my wife, you do what I say."
     She poked him in the eyes and he dropped her and cursed.
     "You had to marry me because of what you did and if I have a baby it won't be called bastard. But that's the end of it."
     Daniels said, "I don't much want you anyway."
     Lucy turned to the boy and said, "Adam, you know what to do."
     The boy raised the shotgun, cocked the hammer, and pulled the trigger. The recoil put him on the floor. Gunsmoke filled the place.
     The blast knocked Daniels back into the cell where he lay there with a hole in his chest and a surprised look frozen on his face.
     Miller yelled, "God damn!"
     The boy lay there with that hard set look on his face.
     The girl bent down to help her brother up and I grabbed the shotgun. I broke it open and removed the brass cartridge. The boy held out his hand and I gave him the brass. He put it in his pocket and then reached for the shotgun. I shrugged and handed it to him.
     Judge Buchanan said, "Well, that certainly settles one thing. Marshal, take care of the body. The rest of you come with me."
     Miller said, "Judge, he shot Daniels or Edwards or whoever. I mean, he plain killed him right in front of us."
     "Well? What are you going to do? Arrest the boy? Charge him with murder? You plan to hang him?"
     Miller just stood there without saying a word.
     "If she was your sister, what would you have done?" Then the Judge headed to his office and me and the girl and the boy followed, the girl with her flour sack and the boy with his shotgun.
     The Judge sat at his desk, dipped his pen in an ink well, and filled out an official marriage license. "Your full name, miss? Sorry, I mean missus?"
     "Lucy Ann Lane."
     "But now it'll be Daniels. I suppose. Or would you prefer Edwards or Seavers?"
     "Well, he told me it was Edwards."
     "Fine, you are now Mrs. Lucy Ann Edwards. I'll make a note here and the clerk will enter it in the register. I guess we'll call him Edwards on the official report of his death."
     "Judge," she asked, "what're you going to do to Adam?"
     "You mean for shooting a prisoner attempting to escape? I'm not sure what the reward would be." He rolled up the certificate of marriage, tied it with a blue ribbon, and handed it to Lucy. "By the way, where do you two live?"
     "We have a place outside of Connorsville. Ma and my little sisters are there waiting for us."
     "Girl, that's two to three days ride from here. You two walk that?"
     "Yes, sir. We didn't mind. You understand I had to find Cecil and be married."
     The Judge leaned back and thought a bit and then said, "As I recall, the stage takes the fork to Burns Mills and Placer and then to Connorsville. Is that right, Luke?"
     "I think so, Judge."
     "It seems to me the only right thing to do is send you two home on the stage coach. I know the reward will cover that. Is that satisfactory?"
     So the Judge and me put those two on the late afternoon stage after the Judge explained to the Wells Fargo agent that the city of Showdown was paying the fare.
     Lucy Ann and Adam were the only passengers. The driver put her flour sack up in the luggage rack but Adam wouldn't let go of the shotgun. Walt Travers, who was riding shotgun, commented on it and the boy even cracked a smile. She sat there, in her wedding dress, holding her certificate and the boy sat across from her with his hands on his shotgun.
     When the stage was about to pull out, Lucy leaned out the window and asked the Judge, "Judge, sir, could you tell me your Christian name?"
     "Why, girl, it's Arthur."
     "Arthur? That has a strong sound. It might be as good as Luke. I don't much care for Cecil. If it's a boy I just might call him Arthur. If it's a girl, maybe Marjorie or Susanna or Violet. Violet's a real pretty flower. But I don't know just yet. Anyway, Judge, thank you for your kindness. You too, Mr. . . . ?"
     "Luke is good enough. Good luck, Lucy Ann. You too, Adam."
     The stage headed out of town and the Judge and me stood there watching it for a long time until it was no more than a brown smudge on the road throwing up dust.
     The Judge said, "Well, I guess it's time for a drink. How about it, Luke?"
     "I guess so. I think I'll wait till tomorrow to go back to Red Ridge."
     "Good idea. I suppose you're buying."
     "The first one."
     The marshal was coming across the street toward us.
     "Hell," the Judge said, "Bert should buy the next two." He still was looking after the stage, though, and he said, "I guess the boy did what he thought was right."
     "Or what his sister told him was right."
     "Anyway, one damn tinhorn less is no loss." Then he smiled as he said, "You know, I kind of hope it's a boy."

The End

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Buscadero
by Jeffrey A. Paolano

The cellulose collar chafes as he drowsily eyes the endless expanse punctuated by a lone cottonwood standing sentinel.
     Opulent conveyances have carried him to a coarse, unbroken desolation of subtle magnetism. Herein lays stark contrast to Grey's Anglo complexion, rotund jowls and fleshy midriff.
     Pamphlets inform him as to the virtues of the West. In contradiction to the reality of a face and shirt blackened with soot. Hot cinders pock his suit.
     "Faroon, prepare to disembark in Faroon," brays the conductor. Grey's relief and delight upon hearing this call is palpable. He rises a little quicker than correctness ordains, and is embarrassed.
     With arrogance he dons his derby (the apogee of his traveling costume). He espies his dusty boots with disgust, and wonders idly if shoeshine boys are extant in the west. He retrieves his stick, hefts his Gladstone bag and in full control of his bearing, strides in dignity to the door at the end of the car, awaiting the train to stop.
     At which juncture he will go through the egress, out onto the platform, down two steps and into a novel life.
     Stepping out lively, Grey is rejuvenated by his release from the penalty of the train, in juxtaposition to the gaiety of the street.
     The cacophony that greets him contains the lowing of cattle as well as the whinnying of horses standing hitched to a rail in the hot sun without the relief of grain or water, a barbarous act to Grey's mind.
     The wailing of mules complaining of their connection in a daisy chain straggling behind a mulero adds to the din.
     Indians stand still as death. Cowhands race their ponies through the street in anticipation of drunken reverie.
     Decorous ladies timidly thread their way through the jostling crowd. Cyprians in half-dress brazenly display their attributes.
     The boardwalk looks new. Grey need not step into the churned, rutted mud, where dung and refuse serve as pavement.

     Approaching the hotel's spacious desk, he announces, "Good-day, I require a room."
     "Yes sir, the finest in town. May I ask you to sign in?" The deskman spins the register and reads out the name in the crisp, clear script, Grey Beauchamp.
     Congenial is his welcome, to this obvious specimen from the east.

     Adhering to the hotel deskman's directions, he arrives at Hoggstle's house. The lawyer takes a long moment to answer the ring.
     A tall, corpulent man attired in a suit of several days wearing. Samples of meals dapple his linen. His hair is coated in oil. The salt-and-pepper beard bears the stain of his cigar drool. There is about him the odor of infrequent bathing.
     Grey's initial impression is repugnancy although mitigated by his unfamiliarity with western ways.
     Following amenities they weigh into the matter, the terms and circumstances of Grey's inheritance.
     "Certainly, I have the complete file right here. You are free to read the will yourself. Essentially, it leaves fifteen thousand acres of range land, one house, several barns, assorted outbuildings, whatever live stock is on the place when you assume possession and this letter," handing a sealed envelope over, "solely to you."
     Grey pockets the letter and puts the central question directly on the table, "Is there a market for this property?"
     "There are two alternatives. The first supposes that you sell the property as is, the second that you rehabilitate which should pay off."
     "What price differential is in consideration?"
     "Substantial."
     "What are we talking about in the way of renovation and restoration? I'm no carpenter and I haven't any experience herding cattle."
     "I appreciate that, but you can hire carpenters and a cow crowd. All you have to do is supervise them. All you have to do to supervise them is to think."
     "Have you a reason to be pushing this proposition?"
     "One of the oldest in the land — money, you stick around and work this range, you'll have water disputes, brand disputes, free grazer disputes and sod buster disputes and I will make money from all of them."
     "You appear to be a man of singular honesty."
     "In the lawyer business you have to be. You already know your uncle trusted me. I'll give you no reason to look elsewhere to fulfill your needs."
     "How do you know I am of the type you want to represent?"
     "I knew your uncle," he states as the ends of his lips curl slightly.

     He approaches the door of his house — before he can knock the door opens, "Si, senor?"
     "Good-day, my name is Mr. Beauchamp and this is my place, who are you?"
     "I am the housekeeper and my husband takes care of the outside. Our name is Quinzol, Maria and Cosder Quinzol. Welcome to your new home." With that she opens the door wide and moves to one side. He nods and surveys the rusticly decorated room.

     Grey enters a saloon, addresses the barman, "I wonder if you might help me. I would like to speak to an older fellow who's been around this part of the country for a time."
     "Bartholomew, he's your man, known as hombre del campo."
     Advancing on the man, "Good afternoon, Grey Beauchamp, may I have a word?"
     The man looks up and quickly surveys Grey's rig. Bartholomew studies him and says, "Already sold out to a feller like you," and drops his head to resume his examination of the table top.
     "Fair enough, how about conversation?"
     The man looks up. "What of the blasted would we have to talk about?"
     "Actually, I am more interested in hearing you talk than talking myself."
     "You got something in particular in mind?"
     "In actual fact I have an interest in the Beauchamp ranch."
     "Fair ground, well watered, rincon for protection in winter. I said a mite, what's your say?"
     "What would you like to hear, something about the East?"
     "What I care about the East you could stuff in a tick's ass, why you interested in the Beauchamp place?"
     "I inherited it, I am considering selling it."
     "Well, sell out, make a profit and go home. What's the question? You seen the lay?"
     "Yes, I was out there today."
     "No feel for the land?"
     Grey looks at the wrinkled, unshaven face, the faded eyes, the squint, the missing teeth, and the tobacco stain. What is this geezer's interest? "To be frank I thought the land was, as you say, fair."
     "What's the question?"
     Grey intensely searches the man's face. Was he, despite his appearance, keen?
     "No question at all," says Grey in the instant, as quickly deciding his fate.
     "I thank you for the conversation and the sage advice."

     "Sure-footed, won't buck-jump. Get off him every ten miles or so, walk him and let him blow. At night hobble him, he'll graze, make sure he has access to water. That's all there is to it. If you fall off, stay seated. He won't run far. If you jump up an' chase him he will run forever. Any questions?"

     Mr. Quinzol, after depositing Grey's goods in his room, goes out and taking the reins begins to lead the horse away. Grey leaps up and shouts through the doorway, "I want to go riding."
     The Vaquero turns and says, "I am just going to let him rest, water him. He will be ready when you want him, patron," and continues to lead the horse away.

     After an afternoon of riding, he unsaddles the horse in the tack shed, leads him into the pasture, hobbles him and returns to the house for supper.
     When he has finished his meal, he goes outside to sit on the porch and consider what he is to do on the morrow. He observes the hand walking the horse into the barn. "Mr. Quinzol, I left the horse in the pasture so that it could graze. There is a stream, so it can water."
     "Patron, it is not good to leave the horse in the pasture, the horse should pass the night in the barn."
     "Mr. Quinzol, the man at the livery told me to leave the horse hobbled where it could feed and water."
     "Patron, the horse should pass the night in the barn."
     "Well, let's follow the instructions of the man who owns the horse. Would you put him back in the pasture please?"
     "Si, patron," turning back to the pasture.

     While sound asleep, he is roused by a scream akin to the wail of a tortured woman or an animal crying out its last breath.
     He springs from his bed and runs out into the large room in his long johns. He flings open the front door and peers out.
     Meanwhile, Mr. Quinzol obtains a lantern and coming up behind him skins past and out into the night.
     He watches Mr. Quinzol's lantern pass out towards the pasture then follows him.
     They come upon the horse, lying on its side.
     Its entrails have been flung into the grass, its throat ripped out, and steam rises from exposed viscera.
     "Catamount, patron."
     He should have listened to Mr. Quinzol. His foolishness has cost a horse.
     He resolves in the future he will heed Mr. Quinzol's advice and others with experience in this country.
     Here is not a situation one can think oneself through. Thought is no viable alternative for experience.

     After greeting Mr. Hoggstle, he says, "I am afraid I am in need of advice and counsel. I am committed to improving the ranch prior to sale. I am somewhat at a loss as to how to proceed."
     "I am confident we can help you out. You need to hire probably eight cowhands, good brush-poppers. You'll have to add in a cocinero, a wrangler, a bronco buster and a top-waddie."
     "Where would I find such men?"
     "I believe what would work best would be for me to assemble a group you could choose from except for the cocinero. He you will have to hire based on reputation. It is important to have a good cook. You will have to conduct a cowhunt and brand all the critters you find on your range. You will need to have a brand and branding irons. Have you given any thought to a brand? You want something that is unique and difficult to blot."
     "I think "GB", that should be singular and difficult to modify."
     "I believe you are right, sounds good. You can go to the blacksmith. Have him make you up two or three branding stamps. I'll see what I can round up in the way of men."
     "Thank you so much. I appreciate all you have done for me."
     "Think nothing of it. It's my job."

     Grey sat astride a cowpony, bought off the man at the livery. Although the animal is a little long in the tooth, he is well-trained, sure-footed and no tom foolery.
     His outfit is beginning to wear in a mite. The shine is off the boots. The Levis are faded. The shirt has been patched. His bandana is soiled. His hat no longer sports a band and sweat stains it half-way to the crown.
     Riding with ease, noticeably lighter, he is as yet a pilgrim. He turns East to West, as his skin turns pale to dark.
     Grey watches the branding crew work. The roper takes a cow from the branding corral, the bulldogger and the flanker hold it, and the brander brands it. The butcher castrates it and notches its ear. A tallyman counts and a boy tends the fire.
     The cow crowd is out prowling. The cook in the chuck house produces the appropriate amount of complaint.
     He is rather copacetic as to his situation, expecting to soon have his herd all branded and inventoried. His horses branded, broken, and in remuda with a wrangler to tend to them.

     He rides out to a barranca with bosky along the sides that he employs as his shooting range. His proficiency is at a satisfactory level. He gives no consideration to the skills of a shootist, leaving such arts to other men.

     After several weeks of participation in the work and observation he designates a man top-waddie. A selection that appears to go down well with the remainder of the outfit.

     Grey takes notice the toll of cattle being rounded up for branding is dropping but the top-waddie does not reduce the size of the branding crew and reassign the extra hands to assist with the cowhunt. Nor does he undertake to participate in the roundup himself. Although somewhat troubled, Grey lacks sufficient experience to intervene.

     "No, there are many cattle that have not been brought in," observes Mr. Quinzol in response to Grey's query.
     "Wouldn't it make sense for the branding crew to be reduced and the extras sent out to assist in the hunt?"
     "Si, they have nothing to do."
     "Shouldn't the top-waddie be going out on the hunt?"
     "Si, the top-waddie should be going out. You have a bad man. Many of your men are bad men."
     "How do you know this?"
     "Many of these men are cattle thieves. The rest are bums from the saloons. No good hands here."

     Grey thinks to seek the counsel of Bartholomew once again. "Excuse me I would like to ask a question, are you agreeable?"
     Bartholomew raises his eyes from the table, considers Grey minutely, nodding slightly.
     Placing two glasses on the table before him, Grey fills each and pulls out a chair.
     Reaching for the glass Bartholomew says, "Sure, glad to oblige."
     "I've been given to understand the hands that were suggested to me by the attorney Hoggstle are but thieves and barroom trash."
     Bartholomew sits studying his glass, having not uttered a sound after the passage of several minutes.
     "Nothing to say?"
     "I haven't heard a question."
     Grey is slightly irritated by his coyness. "Do you know the men working on my range?"
     "Rather expansive for what is but a shirt-tail outfit. I am aware of who you have working out there, as well as their reputations."
     "Can you reason as to why Mr. Hoggstle would have suggested such men?"
     "No worse nor better than other men — I dare say you aren't going to find choir boys to herd cattle. If you are having trouble it ain't the men but the range boss. You made one man top-waddie, not foreman. So you must have wanted to retain that position for yourself. Now you will have to work it."
     "I see. Thanks for your assistance. Keep the bottle." Grey turns on his heel and heads for the door having been thoroughly chastened, to his thinking.

     Morning finds him in his saddle as the men tumble out of the chuck house. He motions for Matroy the top-waddie to attend him. "I'll have attention paid to your business."
     "In what regard, Mr. Beauchamp?" There is within the words a sneer.
     "In regard that if you don't get with it, your goddam ass is off my range."
     Matroy sits for a moment, considering his options and concluding he needs the job for he says, "Yes, Mr. Beauchamp."
     In short order most of the riders are sent out to assist with the hunt. What remain is sufficient to handle the meager number of cows needing branding.

     He goes out occasionally to ride with the cowhunters. Although their work does not carry the same appeal as the branding, being somewhat tedious and requiring superb riding skills (his skills as yet do not measure up to the mark required).
     He takes to riding sign, with a secondary objective of circumnavigating the range to determine exactly the lay of his land. The cairns, stakes, blazed trees and rocks encircling the spread assist him in this effort.
     Coming upon a solid vereda of trampled grass, cow chips and heavy grazing, he recognizes a significant vaca throw off from his range.
     He follows for a considerable distance. After a piece the trail diminishes until it disappears as the cattle drifted from the herd and scattered over the prairie.
     Not knowing where the hunting party is located he returns to the branding pen and awaits the arrival of riders with a bunch of cattle to be branded.
     His intention is to return with them to the hunters and direct the top-waddie to accompany him to the trail he has discovered and recover his stock.

     When they reach the top-waddie, Grey instructs him as to his desires.
     Matroy says, "Mr. Beauchamp, since the cows are unbranded there will be no way to know which are yours. We could be rounding up another man's animals. If so, it's likely the man will not take kindly to you taking his vacada."
     "We're going to collect up those cows and bring them back on my range. If we come into possession of branded animals, we will release them on that range. Otherwise they will come back to mine, have I made myself clear?"
     "Yes, Mr. Beauchamp, you have made yourself clear, I'm just allowing for what might happen."
     "I appreciate your concern. Let's get going."

     The cowhunters round up approximately five hundred head and drive them back upon his range. None bear a brand.

     Mrs. Quinzol makes up an packet with sufficient grub to sustain him on the prairie. He returns to the area where the cattle moved off. During the day he maintains a vigil from the highest point, scanning the range with field glasses.

     He now determines that he is ready for the contents of the letter included in the inheritance. He retrieves it from his shirt pocket and reads:
     "Dear Grey:
     I leave you with these thoughts:
     Always think first
     Maintain the moral high ground
     Watch everything that moves
     Be stone honest
     Keep your own counsel
     I believe these thoughts will serve you well. I wish you happiness and health.
     Uncle Jacob"
     The wording is as ascetic as the relationship with the uncle.

     After several days he observes a couple of hide-thieves who, having shot several beeves, are in the process of skinning them out.
     Grey is yet lenty in the land. His circumstances being undesirable, in approaching two men obviously well-versed in prairie ways. Expecting to best them is sheer folly. However, his position as patron of the ranch requires of him that he deal with such situations. If he desires success in that office, he must prove himself worthy.
     Steeling his nerves, he scrounges about for an advantage however none comes to hand. Finally, striking upon the idea of using his obvious pose as a greenhorn as a foil, he proceeds to the confrontation.
     He rides on them. His lingering tenderfoot appearance, exacerbated by his attempt at emulating Western dress, disarms them to the point of blitheness. "Ho, hombre, where ya headed? Ya lost out here?" The men are standing too, he assumes awaiting a moment when his reins would be ready to their hands and they could gain control of his mount.
     "Just out for a ride." He pulls his pistol and wrests control of the situation in the instant.
     He bids them to continue skinning so that at least the hides will not go to waste. He has them load the hides on their mule.
     After they have mounted their horses, he ties each with a pigging string.
     They ride back to the ranch house. He presents the hide thieves to the branding crew. "What is the appropriate punishment for this offense?" he asks of the men.
     None make reply.
     "Well, strip them clean, put them on their bare-backed ponies, ride them out past my range and let 'em go. Divide up their outfits amongst you as you will."

     "I've got a man by the name of Quinzol working for me."
     "I know him well. Fine man, good man, hell of a wrangler in his day."
     "I am glad to hear someone in my employ is held in such high esteem by you. Anyway, I lost my top-waddie."
     "How's that?"
     "He disappeared with a partida of hands. So I asked Quinzol if he knew anyone that would suit and he recommended Jesus Hernandez. I was wondering if you knew him and, if so, if you had an opinion as to his qualifications."
     "Hernandez is a good man. He will suit well, but Texicans and Anglos aren't gonna want to work for him."
     "They'll work for who I say or be off'n my range," Grey pours two more and leans back to enjoy the drink.
     He feels much better with the collaboration of the only two men who have steered him righteously.
     Not much more is said, eventually the bottle is emptied, "You-all want a steak?"
     "Yeah, I could eat a steak."
     Grey turns and signals to the bartender for two steaks and two glasses of beer.
     "Who owns the land west of my place?"
     "That's public land, but Hoggstle keeps it bottled up and everyone but him off'n it."
     "How does he manage that?"
     "He has riders who are willing to push anyone who ventures on that land."
     "Why doesn't anyone oppose him?"
     "As I say, he has the riders and he is a lawyer. Sort of has the whole package wrapped up, wouldn't you say?"
     "Maybe, maybe."
     Grey makes his way to the hotel with thoughts of this fellow who has taken advantage of him when he was supposedly looking out for Grey's interests. Exactly a situation wherein one would feel absolutely no qualm in extracting revenge.

     After a brief conversation with Jesus Hernandez, Grey offers him the position of caporal with his outfit. The principle question put to him is, "Mr. Hernandez, as you can imagine, on this range we must protect our animals from those who would rustle them. Are you prepared to protect my animals from theft?"
     "Si, patron."
     "Why, what's in it for you?"
     "Although you own the rancho, we will live here, it will be our home, we will have our wives, and we will raise our children. We must protect the hacienda."
     "Alright, Mr. Hernandez, you're hired. I have sent the outfit to round-up cattle and bring them in. I have instructed them to be out for three days. I suggest we use that time to hire more hands. Where do you believe we should look for them?"
     "Patron, I will hire the men. How many should I get?"
     "We are four short."
     "Si, patron."

     "Well, Mr. Beauchamp, good morning. I must say I did not expect to find you upon my range. You're a bit off course I'd say. Maybe you want to travel your back trail to find your way home."
     "Mr. Hoggstle, I understand this to be free grass. I got grazing rights here as well as anyone."
     "That don't figure, nobody is going to leave all this range to just anybody what wonders by. No, I staked this plain and it's mine by law and right. I'll thank you to stay off'n it and your cattle too."
     "Mr. Hoggstle, I figure you already wronged me once or twice and now's the third time. I don't take it kindly. Now you got the best o' me at this moment with your two hands there to back you, so I got to backtrack, but don't get the impression this is the end of the matter, cause it ain't."
     Brave talk while Grey feverishly contrives to get off the ridge alive. They have three guns to his one. They have height on him and his back to them as he rides away.
     His pony fidgets, although he knows the animal to be of sound spirit. Relying on just that spirit, Grey digs the rowels on both heels into the cayuse's flanks. The pony shoots up with forelegs high, snorting and crying.
     The three men's mounts immediately start to buck and the men are fully consumed with trying to get them under control.
     Grey scampers up over the crest and down the other side where, to his good fortune, lay a brasada in which he is instantaneously hidden and lost.
     Completely disoriented, he has no idea where the three men are nor the way out of the thicket.
     Grey dismounts, thinking of that old survival tenet — when you're lost stay put.
     He pulls the reins of his bridle up to the chains and, twisting the horse's head, bids him lay over. Removing his bandana he wraps it about the pony's eyes, hoping the animal will not neigh nor whinny.
     Grey takes his long gun from the scabbard and places his pistol on the saddle and nervously awaits a rush from his assailants.
     For a time he hears the riders crashing about in the brush, occasionally expressing an oath at having been scratched or caught or some other calamity.
     He is unable to detect whether they are getting any closer or moving away, since the sound does not increase or decrease in volume.
     He waits, sweating, fiercely running various scenarios through his mind and rejecting them as quickly as they appear.
     Grey then spies Mr. Hoggstle upon the rim heading for the knoll which was Grey's original objective earlier this morning.
     When he is upon the knob Grey will have full sight of him over the brush. His long gun can reach Hoggstle easily and this becomes Grey's intention.
     The other two riders will have no reason to continue the pursuit once their employer is deceased. All Grey will have to do is await their retreat.
     Flies are landing on his face, crawling in his nose and mouth. As he now has a plan in place, time seems to slow to a crawl.
     He is completely focused on the sweat which courses down his face from his temples. This is the natural order of things on the summer plain. Under normal circumstances, one's mind is otherwise occupied. However, under these circumstances, the travel of each drop of sweat is accentuated.
     Now Mr. Hoggstle is completely visible to him. His confidence in successfully making the shot erodes. If he misses, his location will be revealed. The two men will ride him down in short order and dispatch him without delay. His mind is as though fat-witted. He lies sweating, unable to choose a course of action in which he has conviction.
     Presently, he is able to recognize his immobilization is a result of his fear and not the inadequacy of his reasoning.
     Taking the long gun shot while keeping his pistol close will sufficiently protect him from the advances of the two men who will be as afraid of the concealing powers of the undergrowth as he.
     Further, he has five rounds in the pistol and will have six left in the long gun assuming he only shoots once.
     Regaining his composure, Grey puts his back against the horse (since the shot will have to be over the brush) and rests his elbows on his knees to steady the piece. He aims to hit Hoggstle square in the body, avoiding the possibility of a missed head shot.
     Placing the forward sight of the rifle upon the lawyer's chest, he aims for a shot to ruin his heart and maybe a lung, a death shot, a mortal wounding. Grey holds, barely breathing, checking all mentally to assure success and squeezes the trigger . . . at that instant Hoggstle's horse bucks, removing his heart and lung from the path of the bullet and presenting for penetration his right bicep, which the .44 calibre bullet tears to shreds, causing Mr. Hoggstle to scream in surprise and agonizing pain.
     Grey as quickly swoops up his hand gun and rifle, diving into the underbrush, wiggling his way through as quickly as earthly possible. He covers about thirty yards in short order, stops and awaits events.
     The crashing about in the underbrush starts anew. Apparently the two men are unaware of their patron's wounds or they are and Grey has miscalculated and their blood lust is up. They care not if they are compensated. The manhunt now counts more than the pay.
     Hoggstle screams again and the two men, jolted from their rapacious pleasure, foolishly thunder to his aid.
     Reversing course, Grey follows the sound, allowing him to come to the edge of the brasada whence he attains a clear view of the three.
     Now somewhat closer than when he took the shot at Hoggstle, he is more certain and with four shots he is able to disable both and dispatch their horses.
     With wounds in each and one horse amongst them, Grey no longer fears their assault.
     He returns to his animal and pulling on the reins, throws a leg over and rises in the saddle. He restores the long gun to its scabbard and holsters his pistol. He rides to the ridge below the mound where now three men lay moaning in pain and agony. They try desperately to staunch the flow of blood from their wounds with their bandanas.
     Grey's spirited pony stands, quivering, stomping with a forefoot, head occasionally shaking away the flies. Grey's lithe body — now reduced to muscle, sinew and bone — is bundled in a leathery cover of sun-cured skin.
     The right leg encircles the saddle horn, draped in faded Levis, capped in well-worn boots. Grey's hat no longer retains a shape and is blotted with sweat stain. His long bandana encircles his neck, knotted at his breast plate. What remains of the blue of his shirt, hanging loose on his reduced frame, is as pale as his eyes. All the pallid that remains lies covered from burning sunlight.
     He pulls a cigarito and a blue-tip match from his pocket, fires up his smoke and squints in the sun.
     With remembrance of the deception this man has visited upon him and retribution due, he languidly says, in a jaded manner: "Mr. Hoggstle, my cows gonna graze this free grass; any trouble about it, ya know ya'll be a dead man."

The End

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The Ellsworth Tragedy
by Mike Wilkerson

PART 1

Ellsworth, Kansas, October 1868

I was with ol' John Brown at Harper's Ferry. Ain't got much bearing on what I'm fixing to tell ya and my name ain't in no history book, but I was there just the same. Lost the use of three fingers on my left hand in that damn skirmish. Fell when my mare jumped a creek. Got my digits caught in the flank cinch and tore out the joints on 'em. I kept 'em, though. Got a device which keeps 'em outta my way so they don't matter much. Still got good use of my thumb and the finger next to it and they're stronger than the average man's entire hand. Overcompensation, the doc calls it. 'Sides, right hand's fine and it's the one I use most of the time. I get along all right.
     I got myself quit of John Brown and fellers like him after that. He was loco in the end, sending out his own son with a white flag instead of doing it his own self. I was only there in the first place because of a little ol' gal pushing me to do the Lord's work. 'Tweren't nothing but a sprout back then and filled up with feelings below the belt just like any other feller my age. Hell, I wasn't there for no cause like all them other boys. I had no cause but myself. And that gal . . . I ain't seen her now for ten years I guess.
     There weren't nothing good come of it, but I learned a lot from that whole situation at Harper's Ferry. Learned that a feller sees enough blood he can get used to it. Maybe too used to it. I knew the second I saw those drunken town folk pull ol' Willy Leeman out the Potomac river while he was trying to escape, shoot him full of holes and then drag his red-soaked body through town that I weren't gonna see nothing worse than that.
     But this ain't about John Brown or poor Willy Leeman. They hold no truck with me and my days of rambling are plumb gone. I only told you about all that to let you know a little bit about myself as you're reading this here. I've seen a few things, I have. I've done a few rights and I've done plenty wrong — heap wrong — and it never hurt my sleep. But what I've got to say here is the worst of it and something I've been carrying around for a time now and I don't sleep so well no more.
     I know I'll keep on carrying this burden right till the end. 'Cept maybe now, from saying what I got to say, the load will get a bit lighter as I get ready to move on. I don't know, but maybe.

     Bill Hickok ran for sheriff earlier this year. He lost to E.W. Kingsbury and it was probably for the best. Bill ended up a U.S. Marshal with that redleg shadow of his, Jack Harvey, in tow. Ol' Bill's a heller, by God. "The Slade of Western Kansas" they call him and that's just about right. And Kingsbury does okay considering the reputation of this here burg. Hell, he does just fine. But she's a vigilante town through and through and he knows it. There's a man served up for breakfast ever'day and even the best of the toughest ol' boys don't last long.
     Still, even with all the killing and the reminder of a cholera epidemic the previous year and all the folks that died because of it, Ellsworth was growing. It weren't nothing to see some hucksters set up shop wherever they felt the need to back then, though I hear that's changing ever so fast. It's why I paid no mind when I saw a sweaty fat man with a bald head and hairy neck by the name of Boss Purdy show up with a woman and a few cases of rotgut hooch and go to work just outside of town in a deserted sandstone dugout. They blended in with the dozens of such rigs already there. He was just another chiseling pimp and from a distance she weren't nothing more'n another whore.
     I was a shotgun messenger for the Butterfield Overland Dispatch back then. Had been nigh on five years. It kept a feller busy what with the stock of men wandering around the territory. Not to mention the damn Cheyenne. Let me tell ya son, I've seen some hard and bloody days in this here territory and I've spilt my share on the good side of the law, bum hand and all.
     I'd just come off a hard run to Trego County and back that first time I spotted her. It was early in the day and the stage ran so close to where the whore stood so's I couldn't help but get a good look at her as she stood outside of her dugout while furiously shaking the dust and lice out of a thin wool blanket. I could've reached out and touched her. I wanted to. My bad hand even twitched at the thought.
     She was purty in a pale, hardscrabble sort of way. Her body was thin, but full in places it was supposed to be full in. Had hair the color of a sun-stricken crow's back and it was thick and curly and worn kind of wild, like she just woke up and didn't bother to brush it and didn't care. Deep lines like creek beds crawled from points near her temples and converged 'til they spilled into eyes the color of a deep blue pool of water. Those age lines made her look good, even if she was still a young thing. But it was the way those blue eyes were set against her black hair that pulled me in.
     We passed through those shabby and desolate outskirts, leaving her behind as we made our way into town. I jumped from the stage while she was still rolling, the leather money bag in my bad hand and my sawed-off Parker in my good hand. I was headed for the bank when a voice reached for my attention.
     "I see we are blessed with yet another soiled dove and her rather rotund and certainly unscrupulous benefactor . . . quite a sophisticated setting we are establishing."
     I turned to see Harold Gray standing out front of the hotel and not doing too much of anything particular. Looking like he'd had a rough night of drinking or whoring or both. Gray's a pretty good ol' boy far as I know him, even if he is from the East and dresses a bit too dapper for folk's taste. I looked as he pointed in the same direction I'd just come from.
     "Rather fair, wouldn't you say, Charlie John?"
     I nodded. "Something 'bout her. Hair's so black and her eyes are so blue. Ain't never . . . " I stopped there, partly in embarrassment and partly thinking for the right word to describe her.
     Gray smiled and his finely-trimmed moustache spread across his face.
     "Mmmm, you have an eye for details but not the words, my friend. It's our Hester's contrasts you are seeing, but are failing to communicate," he said. "I'd venture to say Portuguese blood flows through our damsel's veins," he added.
     I said her name to myself: "Hester." And then I turned to Gray. "Contrasts . . . what's all that mean, anyhow?"
     He looked up at the sky kinda forlorn like and then closed his eyes. "The way her iridescent indigo eyes are set against her raven hair, making both colors as deep and startling as the innocent remembrances of better days long past. Days we can never return to." He paused and looked back to me with a sly grin and added in case I was wondering: "I visited the lass upon her arrival and, I confess, several times since. Very accomplished and efficient young lady. Reminds me of a girl from my own youth. Her name often recounts . . . "
     And then he got teary, which was common for him when he hit the whiskey and got in his cups, which was often. I ain't much for a grown man weeping so I kept moving, his words knocking around in my head while I dropped the money and my shotgun off at the bank. Then I walked up to Joe Berry's place, letting the whore's contrasts simmer while I had a few whiskeys. I then went up the street to the Chinaman's for a bath and shave, my first of either in a month. The Chinaman's wife burned my clothes. Their boy fetched a spare set from my hotel room.
     I asked around about her real casual like as I was getting myself fed. Boys confirmed her name was Hester and that she was right fine if maybe a little put upon in her years from living a whore's life. Still, she wasn't long in the tooth by anyone's reckoning. She had a long, childlike drawl to her voice when she spoke and fellers that heard her talk and knew their business put her from somewhere down south, maybe Georgia or Louisiana. And she told those who'd care to ask that she didn't know her last name or her age, but that Boss Purdy said she was just plain ol' Hester and she was likely in her late teens. That was the best he could estimate. I didn't care 'bout any of that. Nobody did. Didn't even know my own age, but suspect I wasn't too far ahead of her. I weren't young anymore. Neither of us were young anymore.
     I didn't go to her right off. I only watched as those dirty saddle bums and bullwhackers and soldiers lined up outside of that one-room dugout by the dozen for her. Boss would get 'em wound up with that swill he sold and they'd be raring to go by the time they got their chance. She'd get 'em in and out in only a few minutes time and word was she could put her hips just the right way so it never took much at all to get those boys where they needed to be. Ol' Boss had himself a goldmine in that girl and he treated her fair, all things considered, because he was a business man at heart and Hester was A-1 product.
     Over the following weeks word got around about Hester. She didn't talk much or smile at all, but fellers always left feeling better 'bout themselves and not just because of the obvious. Not too many womenfolk make a feller feel that way.
     I had no businesses even going in Boss's place, as I had money for good whiskey to be drunk in a place with straight walls and a floor made of wood. Still, I became curious enough after a couple of weeks to try her out for myself. And once I saw Hester up close again I didn't even care about the whiskey or anything else. I was trapped and there wasn't a goddamn thing I could do about it. Not a thing I wanted to do about it.
     We got on just fine, right from the start, even if she never said more'n twenty words to me during that entire spell. Still, every time I saw her I'd pay a little more silver. I weren't angling for nothin'. I just felt like I wanted to do something nice for her. I suspect nobody ever had before.
     At first she didn't say anything about the extra. But around the third or fourth time she spoke up in that honeyed southern voice of hers. Her manner of speech reminded me she was still a young woman.
     "Why you be doing this?" she asked.
     Her voice startled me. She'd never said so many words to me in one stretch.
     "I suppose I don't know why," I managed. "I just like to. I can't spend it all on myself — ain't got the time. And I got ever'thing I need already. I don't need much to get by."
     She hugged herself as she spoke. "Boss don't be liking fellers gettin' sweet on me now, ya hear? Gets his neck hairs up and he starts poutin'."
     I winked at her. "Don't tell him then. He ain't never around, anyhow. Keep it for yourself and buy yourself something purty. That's what I meant it for." I added, "Besides, I ain't getting sweet. I just . . . "
     She turned away from me. "You don't have to be 'splaining yourself to this ol' gal."
     I took a step toward her. "You ain't so old, Hester." I'd never used her name before while in her company and it felt strange and good to do so.
     The dugout was damp and chilly. She looked to the pallet where her business was done and where we'd just come from. I looked that way too, feeling a sudden shame. Her voice dropped to a notch just above a whisper.
     "I be a'feeling like I am. I be a'feeling like an ol' sway back horse some days. Just old and creaky and something nobody wants nothing to do with. Fellers get what they want and get back to moving on and I'm left here all by myself a'waitin' for the next hungry buck to come in. Been that way since I can remember. 'Spect it always will be."
     She never moved her eyes from the worn-out mattress where God knows how many fellers had laid with her. I grabbed her by the shoulder and turned her. Her face, buried in her black nest of hair, looked small.
     "I'm saying your not used up and ain't nothing about you is creaky. And those boys keep coming back because they fancy ya. I'm saying —"
     She didn't let me finish. She brought her face up and kissed me flat and hard on the lips with such force it knocked me backwards. She didn't pull away in embarrassment. She just held them to mine until I slipped both my arms around the thick part of her back and pulled her ever so tightly to me while saying words that I never said before and I will not privy you to.
     They belong to me and Hester.

     Running with her was wrong. A rough feller like me always on the rove had no right to expect a woman to wait for him. Hester said I wasn't so hard underneath it all. Said she knew the first time I laid money in her hand and her fingers brushed my wrists that I were different. I thought maybe she felt sorry about my slighted left hand, even though I never felt sorry about it myself. I never paid Hester no mind when she talked like that. Womenfolk often talk about things men ought not bother in.
     Still, she let me have it for nothing, even though I never thought of the act of laying with her in that way. I liked her company. And what time we did spend together sometimes left me asking questions 'bout things I ain't never considered before. Things that can make a man lose his direction. It was that damn talk of hers making me feel that way, I suppose.
     "I like your eyes," she said once.
     I was thoroughly mortified. Here she was talking about mine the same way I thought about hers, but never had the guts to say out loud.
     "Why? I don't even know what color they are. Hell . . . "
     She traced her finger along the bottom edge of my right eye. "They be a'changin' all the time. Brown. Gold. Green. Folks be a'calling that hazel, only I don't know what it means. Just know I'm a'liking 'em."
     "You don't mind me being a cripple?" I said with a grin. I unstrapped the leather thong which kept my bad fingers out of the way and held up my bum left hand with those three fingers laying limp like emptied out cow teats.
     Hester grabbed the fingers ever so gently in the palm of her tiny hand without taking her eyes off mine. "Didn't even pay no 'tention to 'em till just now. Don't change the way your eyes look, Charlie John. Don't change how good you been a'treating me or how I be feeling 'bout ya."
     And they weren't forced words. They came off natural like, 'cause she meant what she said. I never really had a good response when she said such things. To this ol' boy it felt strange, chatter like that, but I'd walk a day without water in bare feet to hear her say 'em just the same.
     I suppose she had womanly ideas. Only she never mentioned them. Not once did Hester ask me to take her away or do right by her. Don't know what I would have said at the time if she did. It was enough just feeling good about being alive and being around her, even if I'd come to question why she would want someone like me.
     After a time, Boss Purdy hired a stinker to work for him and keep the rowdies in line. Called himself Galliban. Folks said he was half Mex, but his skin was pale and he didn't have an accent so I doubt that was true. He was a small man in that he came to my chest and I ain't much in the height department. His face was like a hatchet with pock scars on both cheeks and he was wiry through the body with greasy black hair on his head which hung to his narrow, bony shoulders. For defense he carried two .36 Navy Colts tucked in his belt crossdraw style, like plenty of other young fellers fancying themselves a shootist. Never saw him clear leather once, but Galliban had that 'possum look that made fellers stay back, 'cause that look said he'd just as soon drill you in the back as up front. He didn't mean a thing to me and I paid him no mind. But he scared Hester.
     "He's always givin' me these here sly looks. Like an ol' starved coyote creeping up on a fat goose. And he's got a stink about him I pert' near can't stand. I've smelt all kinds of things and all kinds of fellers, but he's got something different that's just plain rotten. Boss says not to worry 'bout him, but I don't like him. Boss is skeert of him anyhow."
     Hester looked away from me when she said it. Not in some frightened way, but like she wanted an answer on what she should do, or maybe hoping I would say she didn't have to make a living like that no more. I didn't know what to say. Instead, after a time, I gave her something I hoped would take the fear away and ease her worries.
     A summer's day and we were laying underneath a giant cottonwood tree, shedding itself of big white flakes like it were a snowstorm while listening to the Smoky river as it ran hard from the recent rains. We weren't saying much, just letting cotton cover us like a couple of kids who don't know no better and are better off because of it. After a spell, Hester stood and shook cotton off her dress while saying Boss would be looking for her and she needed to skedaddle. I jumped to my feet.
     "I got you a little present," I said, quick like.
     Her eyes lowered just a bit. "You got me somethin'? Nobody ever done that 'fore."
     And she held her eyes to the ground like she was embarrassed, 'cause ain't nobody ever give her anything in her life and she don't know how to act because of it. She didn't smile. Hester never really smiled much. But she got some rose on her cheeks and I felt like I done her wrong, 'cause a girl like her prob'ly was hoping for some store-bought candy or the like. Hester wasn't getting that sort of thing from me 'cause I didn't know no better until that very moment.
     "It ain't much," I said, trying to take the sting out of my misstep. I pulled out a small piece of oilcloth with a tiny bundle inside and handed it to her.
     "It's somethin'," she said in a shy voice.
     "I ain't never bought anything for a gal or anyone, so —"
     "What is it?" she asked, cutting me off.
     I touched a finger to her little freckled nose which she wrinkled up. "You gotta find that out fer yourself, darlin'."
     She peeled away the oilcloth and stared down at the miniature weapon which I'd polished to a high luster.
     I struggled for words. "It's a belly gun," I said, before she had a chance to say anything. "It's small so you can hide it on your person and be keeping yourself safe from all that riffraff."
     She looked at me and I swear the corners of her mouth came up like the dawn on a bright new day.
     "You looking out after this ol' gal, Charlie? You sweet on me?"
     Something broke inside me and I couldn't take nothing as purty as the look in her eyes no more. I looked away with a squint so she'd think it was only the sun in my face.
     "I suppose that's what I'm a'sayin'. Christ."
     Her voice wavered. "It's purty. It sure 'nuff is. I ain't never had nothing so shiny 'fore. Even the wood is shiny. By God . . . "
     And she started to cry. Ain't nothing purtier'n watchin a hard girl cry for the right reason. Those rivers running down outta those blue eyes and over her cheeks put me on my heels and then she wrapped those long arms around my neck and pulled me close, the tears on her cheek brushing against my lips. I reached out my tongue and tasted her salt, swallowing the very life of her and making her part of me. I didn't know what to say and she didn't say nothing either. She told me how she felt in the only way that ol' girl ever learnt how to and partner it was fine by me.

End Part 1, Part 2 coming next month.

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The Short Straw
by Lowell Bergeron

At first it was a dust cloud in the sky. Beckett Malloy stopped his plowing to watch. His wife, Sadie, worked in her garden, not seeing anything.
     "Sadie," he called. "Riders comin."
     She lifted her head and only then did she see the dust in the air getting closer.
     Four riders came over the ridge galloping, but didn't appear to be in a hurry.
     "You best go in the house," he called to her.
     She stood, brushed the dirt off her dress and went in. From behind a lacy curtain she watched as the riders approached her husband.
     They stopped in front of Beckett, the rolling dust covering him.
     "Mornin, gents," he said when the cloud cleared.
     "Mornin," one said tipping his hat. "Might you be Beckett Malloy?"
     "Depends on who wants to know."
     "Name's Hollis Carpenter," the man said.
     "Bounty hunters," Beckett said, "I don't know who you are, but I know what you are."
     "Well, Mr. Malloy, this here badge says I'm a deputy along with these other fellas."
     The others produced their badges.
     "Don't matter none what you call it, Mr. Carpenter, you're still bounty hunters."
     Hollis took his hat off and slapped dust from his shirt.
     "We don't want no trouble, Mr. Malloy, but we have a job to do."
     Beckett looked at the others. Each had his hand on his pistol.
     "How can I help you?" he asked.
     "We're lookin for Travis Flint."
     "Never heard of him."
     Hollis reached in his pocket and took out a folded paper. He handed it to Beckett. It was a wanted poster.
     "Looks young."
     "Fancies himself another Billy the Kid," Hollis said. "Killed ten people already."
     "That's young to be on a killing spree."
     "Killed his first two when he was 14. His ma was a soiled dove, if you know what I mean. He caught her and a man one day and shot 'em both. Been on the run ever since."
     Beckett handed the poster back to Hollis.
     "What do you want from me?"
     Hollis looked around at the open spread and stand of trees.
     "Word has it he's headin this way. We think maybe he might stop by since your place is outta the way."
     "How long you think?"
     "Couple a days, maybe."
     Beckett looked at the house. He knew Sadie was watching.
     "You plan on staying?" he asked Hollis.
     "We could stay out in that patch a trees behind your house. Just for a couple of days. If Flint don't show, we'll move on."
     Beckett rubbed the back of his neck.
     "I guess it'll be all right long as you don't make my wife nervous."
     "Much obliged," Hollis said, tipping his hat.
     Beckett watched them ride off.

     "Who are they?" Sadie asked him as she watched the men set up camp.
     "Bounty hunters," Beckett said, "but they have badges. Still killers for hire as far as I'm concerned."
     "Do you know them?"
     "Heard of 'em, but I told him I didn't know 'em. Their leader is Hollis Carpenter. He's the one done all the talking. The others are Wallace Poindexter, Yuma Judson and Earl Lomax. They been together for a while. I hear they always bring in their prisoner dead. And they don't work cheap."
     "That kid won't stand a chance if he comes by here." Sadie turned from the window. "They mean to kill him, don't they?"
     Beckett nodded. "If he's as bad as Carpenter says he is, maybe that's best."
     Sadie frowned. "Do you believe him?"
     "He showed me the wanted poster."
     "If this Flint is such a killer how come we never heard of him?"
     Beckett shrugged. "I don't know. Maybe because we live a long way from town and everybody and we don't see many folks."
     "I suppose."
     "Time to get back to work," Beckett said.
     "I don't want no one shooting up our house," Sadie said.
     He kissed her on the cheek.
     "Let's hope it don't come to that," he said and went out.

     "Don't move, mister."
     Beckett felt the muzzle against the side of his head. He raised his hands.
     "I don't want no trouble," Beckett said.
     "Looks like you already got it. Back in real slow."
     Beckett did as he was told. The kid closed the door.
     Sadie had turned back to the window.
     "I thought — ?," she said turning around.
     "Don't make no noise, ma'am," the kid said, "and get away from that winda."
     "It's you," she said. "Travis Flint."
     "I don't mean no harm. I just need to rest me and my horse."
     "You mean to kill us?" Sadie asked.
     Travis smiled. "No ma'am, I'm not like everybody says I am."
     Beckett and Sadie sat at the kitchen table.
     Travis went to the window. "They're your real problem."
     "But you're the outlaw," Beckett said. "They said you killed ten people."
     Travis spun around. "I killed two! That's all!" He put his pistol in his holster.
     "I saw the wanted poster," Beckett said.
     "It's fake," Travis said, shaking his head. "They had it printed up to make me look like a killer. Ever since I run off, they been chasin me. The man I killed was a rich rancher's son. His pa is payin them a lot to bring me back."
     "Dead or alive," Sadie said.
     "Alive. The old man wants me alive."
     "So he can punish you?" Sadie asked.
     Travis nodded.
     "If you're telling the truth," Beckett said, "what do we do about them?"
     "You let me rest here until tomorrow and I'll get out at first light. When I don't show up they'll move on."
     "How do we know you're not lying?" Sadie asked.
     "You don't, ma'am. You don't know if they're lying, either."
     "Who do we believe?" Beckett asked.
     "Up to you. I'm not a killer, but it's my word against theirs."
     Beckett thought a minute then said, "If you wait til night, you can sneak into the barn."
     "I thank you," Travis said. He watched the men, who kept looking at the house. "One's comin over here," he said.
     Beckett joined him at the window. "That's Carpenter. I take him to be the leader."

     Carpenter took his time. He didn't figure that kid would show up for a while. They might as well relax while they could. He knocked on the back door with the butt of his shotgun.
     Sadie let him in.
     "Ma'am," he said, removing his hat. "Don't mean to impose."
     "You're not imposing," Beckett said sitting at the table.
     Sadie closed the door.
     "Have a seat, Mr. Carpenter," Travis said from behind.
     Hollis stopped and tensed.
     "Don't make me kill you in front of these nice folks," Travis said.
     He urged Hollis forward with a nudge of his gun.
     Hollis sat facing Beckett, laying the shotgun in front of him.
     Beckett pushed a chair out with his foot. "Have a seat, Travis," he said. "You too, Sadie."
     "What's this about?" Hollis asked.
     "It's about who's telling the truth," Sadie answered. "You come barging onto our property saying you're looking for a killer. This boy here says that poster's a fake and he ain't a killer. He said the pa of the boy he killed hired you."
     "That's right," Hollis said, "the boy's pa did hire us. What of it?"
     "What about the poster?" Beckett asked.
     Hollis shrugged.
     "It's a fake," Travis said. "They use it to trick people into helping them."
     Hollis looked at Travis.
     "Fake or not, we gotcha now, boy."
     "Not so fast," Beckett said. "We need to sort this out."
     "I'll go for the sheriff," Sadie said, standing.
     "No, ma'am," Travis said. "You sit right back down. I ain't turning myself in to no sheriff or nobody else."
     "We can sit here all day and look at each other," Beckett said, "but that wouldn't solve nothing and neither would arguing."
     "I could kill him and move on," Travis said.
     "What about the others?" Beckett asked.
     "They'll find you," Hollis said.
     "Sadie," Beckett said, "take a look outta the window at them fellas. Tell me what they're doin."
     She got up and looked out. "They're not there."
     "I told them to surround the house," Hollis said smiling.
     "Why?" Beckett asked.
     "We don't trust nobody. We knew he'd show up sooner or later, but we didn't know it would be this fast. He ain't getting out. Not alive anyway, but it wouldn't make the old man happy if we killed him so we can sit here if you want and decide how this kid gets to come with us."
     Beckett got up and opened the front door.
     Earl Lomax pointed his rifle and motioned for him to get back in and close the door.
     "Wallace is one side and Yuma's on the other," Hollis said. "You shoot me, they'll kill you and burn the house." He got to his feet, shouldered the shotgun and said, ""I'm going out back and wait for your decision. I'll let you handle the best way to turn the kid over to us. But don't take too long." He closed the door.
     "Some fix I got you folks into," Travis said.
     "What'll we do?" Sadie asked.
     "I'll go out and talk to him," Beckett said. "Maybe he'll listen if it's just me and him."
     "That won't work," Travis said. "That boy's pa paid them a lot of money and they'll get a lot more when they bring me in. I'll turn myself in to save you folks."
     "Sadie," Beckett said, "get two straws from the broom and break one in half."
     "What for?" she asked.
     "Me and Travis will draw them. If I get the short one, I'll go and see if I can talk some sense into him. If Travis gets the short one, he can decide what he'll do. I don't know what else to do short of a gunfight."
     "Fair enough. Since you folks tried to be kind to me," Travis said. "I'll surrender."
     Sadie broke one straw in half and, behind her back, mixed them up so she wouldn't know which was which. She brought them out and with her hand shaking offered them up.

     Hollis Carpenter stood about ten feet from the back door. He had the shotgun pointed at the door with both barrels cocked. His patience was running low and he wanted to kick in the door and shoot the kid, money or no money. They were tired of chasing him and they already had a good bit in their pockets. Let the old man keep the rest.
     The door opened. Travis came running out. Hollis could hear the couple inside shouting something. The kid had his gun out. Hollis pulled both triggers. The other three came running around the corner at the sound of shouting and shooting.
     Travis Flint, the alleged ruthless killer, lay in a heap.
     "You folks did the right thing," Hollis said.
     "You didn't have to kill him!" Sadie screamed.
     "It was him or me, ma'am," Hollis said.
     He nudged the kid with his boot with no effect. He took the poster form his pocket and handed it to Sadie.
     "Ma'am," Hollis said removing his hat, "that there poster ain't fake. I'll leave it with you and you can check with the sheriff in your town. You'll see he is what I said he is."
     Sadie tore up the poster and threw it in his face then stormed back in the house.
     Beckett turned Travis over on his back. The kid was obviously dead.
     "You got your man, Mr. Carpenter," Beckett said.
     Hollis motioned for the others to get Travis.
     "We'll leave you, now, Mr. Malloy," Hollis said, fitting his hat on his head. "Sorry about all this. We didn't mean for all this to happen, but I knew the kid wouldn't give up without a fight."
     Beckett watched as the deputies strapped Travis on his horse and cleaned up their camp. They rode off slowly. Beckett watched until they were out of sight over the ridge.
     Somehow without realizing it, he had picked up the kid's gun. He looked at it then threw it as far as he could in the direction of the riders.

The End

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Stolen Lives
Iragene Jones, New Mexico Sheriff Series
by Jesse J Elliott

"Hijo de puta!" exclaimed the stocky young man as he came running into the sheriff's office. "You won't believe this, Sheriff. Another girl has gone missing! The kitchen girl, Flora, from the Ortizes disappeared last night after their baile. That's the fourth girl to disappear from this area in the past month, and all of them are either Indian girls or servants."
     The sheriff looked up from a pile of papers she had just received from the New Mexico Territory Governor. Though still a territory, efforts were made to keep the order and to keep the established Mexicano families and the newly arrived American settlers safe — and able to pay their taxes. All of this was the sheriff's duty, and she took her job seriously. Though some more traditional counties chose to maintain the alguacil mayor, the newly-formed county of Brazos chose to have an elected sheriff, and Iragene Jones was their recently-elected official. Though she hadn't planned on being sheriff, it was her lot to have stopped a land corruption scheme in the county and to encourage the older sheriff to leave his position. Now Iragene spent most of her week at the Sheriff's Office in La Madera.
     Sheriff Jones couldn't help but let a smile slip through at her usually shy young deputy and his colorful exclamations. "Wait, the fourth girl? Who were the first three? Who reported this, Cruz, and why wasn't I told sooner?" she asked, slightly annoyed.
     "Pablo, the old manservant of Seņor Ortiz, reported her missing. No one noticed her absence until this morning. She worked late and then supposedly went to bed, but her bed wasn't slept in."
     "Is it possible that she ran away back to her family or with a novio?"
     "No, I asked Pablo. He seemed to know her well. She's got no family, and she didn't have a novio. He was pretty upset, especially with the rumors that are going around about the other missing girls."
     "What rumors are we talking about and, again, why didn't anyone tell me?" she asked him. New Mexico was not like any other place in the country. It had a profusion of peoples, Pueblo Indians, Navajos, Apaches, Comanches, traditional Mexicanos, progressive Mexicanos, Penitentes, established Americans, newly-arrived Americans and others. Different religions, superstitions, experiences, and languages abounded in New Mexico. The disappearance of so many young girls could trigger any amount of superstitious conjectures, and Iragene was not about to disregard the possibilities of any of those beliefs. This was, after all, New Mexico.
     "Everything from brujas to skinwalkers to La Llorona, and everyone is scared. Though others think some sick pendejo is kidnapping these girls," Cruz explained, his tone of voice definitely preferring the possibilities of the former rather than the latter.
     "Cruz, what do you think?" she asked him quietly. He started to say something, but then he paused. Finally he said, "I think we need to check on these disappearances. We need to find some evidence before making any guesses."
     "Good, let's go and visit the Ortiz property before anyone or anything has a chance to alter the evidence."
     They left the office and walked toward the town's stables. They saddled up and rode out of town toward the hacienda of the Ortiz family.
     Cruz was always taken aback when he saw Iragene riding a horse. She chose to wear the split skirt that enabled her to straddle the horse and not have to ride sidesaddle as most of the refined women of the area did. She rode well, and he didn't have to modify his own pace for her to keep up. She was a beautiful woman. Her hair was pulled back, but it fell down to the small of her back in sable brown curls. He almost wished he could ride behind her so he could catch the light reflecting off her hair as she rode. She had no idea but she had him captivated. He was half in love with and half in awe of her. She was not like any women he had known.
     "Cruz, are you listening?" Iragene looked over at her deputy.
     Embarrassed he looked at her with an expression of having been caught being somewhere he shouldn't have been. Eighteen years old and on his own for as long as he could remember, he welcomed the trust Iragene had given him and the experience she provided him. Though she too was just a novice as a protector of the law, she had an analytical and objective way of seeing people and things. He was besotted with her kindness, her quick mind, and her beauty.
     "Sorry, Sheriff, I was just thinking about those poor girls," he said quickly, hoping in addition to her other skills that she didn't read minds as well.
      "We'll interview Seņor Ortiz first and see if he saw anything unusual. And ask to check the guest list. If you don't mind, please talk to the kitchen and house staff. Ask Pablo if he or they remember anyone or anything out of the ordinary. Let's see if we can discover something that'll help us find the missing girls. We also need to check the servants' entrance to the kitchen and follow it, checking unusual footprints. By now there's probably little left worth examining, but it's worth a try."
     "Anything to find those girls. They don't deserve anymore pain."
     "These girls are mistreated by the Ortizes?"
     "Not necessarily by the Ortiz family, but some have ended up as servants at a very early age. Some had no families, some had poor families, and some, well, let's just say, the majority of these girls would have preferred to have grown up and lived in a home of their own, cleaning their own houses, not someone else's."
     "If that's the case, then why does Pablo think that they didn't run away?"
     "Because where would they go? No young girl would set out at night looking for families that might not even exist anymore."
     "Oh," she said sheepishly, realizing how lucky she was.
     They rode for the next hour in silence, enjoying the sound of the breeze through the trees, almost like the sound of a distant waterfall. The contrast of the ocean-blue sky against the sparsely-forested New Mexico land was still as striking today as it was the first time Iragene saw it when she arrived from Texas. She never tired of riding through the area. She loved her ranch, but she loved the serenity of riding through mountain passes and ill-defined roads, knowing that she was a part of a world that she and most of her neighbors would call enchanted.
     When they arrived at the Ortiz home, their horses were taken and they were shown into the sala. The servants gave them refreshingly cool water with citrus in it. Then they were left alone until Ortiz came into the room, only a few minutes later.
     He was a handsome man in his early forties. He wore a well-trimmed moustache and sideburns. An attractive streak of grey could be seen in both.
     "Seņorita Jones, how good to see you. We missed you at the baile!" Ortiz was quite friendly, but she noticed his quick glance and slight disapproval at her split skirt. Though modest, the split skirt was a skirt that some women had taken up in the Western states to ride astride a horse, but for most, especially the traditional Nuevos Mexicanos, it was a grave faux pas in the area of women's etiquette and delicacy.
     "I'm sorry I could not attend. My nephew was not feeling well, and I preferred to stay close in case my family needed me." True, the baby was feeling poorly, but she had stayed home to avoid the embarrassment of not knowing the dances or speaking the language. She was practicing both, but being the woman that she was, she felt she should wait until the dancing felt more natural and the language came more easily.
     Also, there had once been a situation where at one baile, when Iragene stood smiling as a group of Mexicano youths insulted her in Spanish. She was rescued and the young people were chided, but she learned the importance of knowing another's culture and beliefs as well as their behavior by learning their language.
     More servants came in with pan dulces and fruit. Iragene relished both and appreciated the generosity of her host, knowing his aversion to her being a sheriff. She was, after all, a woman and an Americana. She wasn't sure which he considered to be worse.
     "I know why you are here, and I appreciate your coming out here. I have heard that this is not the first girl to disappear from our Valley. How can I help you find . . . Flora, I think her name was?"
     Iragene saw that Ortiz hadn't even known the girl personally. How many girls with faces but unmemorable names worked on this property and the other dozen or so remaining haciendas, she wondered.
     "Yes, her name was Flora, and she is the fourth girl to be reported missing. Seņor Ortiz, do you recall any unusual event? Any guest leaving early? Anyone acting oddly or suspiciously? "
      The dignified man almost gasped at her insinuations. "One of my party guests? I cannot believe you dare to ask me that!" He continued to glare at her but shook his head no to all the questions.
     "Also," she continued in order to fill in the silence, "I'd like to know if I may have a list of the party attendees and then look around while Cruz speaks to your servants. Since it was Pablo that reported her missing, would it be all right if Cruz had Pablo take him around to your staff?"
     "I don't understand. Why do you need to speak to any of my guests, Sheriff, and why do you need to speak to the servants? You will just disturb them and they will not get any work done today. Furthermore, I hope that you are not planning on bothering each of my guests at their homes? How will that help any way? Certainly they wouldn't know el hombre malo that did this."
     Stepping gingerly on this one, she attempted to persuade her host that someone might have seen something unusual even though they, of course, were completely innocent. "Seņor Ortiz, I am sure that you had the most trustworthy and intelligent of guests at your baile. Surely, if anyone saw anything that would provide us with a clue to this person's actions, it would be one of your guests. And," she continued as quickly as she could, "your servants may have heard from Flora about a stranger that may have said something to her or had seen something unusual. You see, Seņor, this attempt to gain information may in the future protect all of your servants and keep them feeling safe enough to continue their work."
     He looked at her and then replaced his former expression with one of graciousness. "That is true, Seņorita, and I appreciate your understanding of the workings of the hacienda. I agree. My servants may be of some help." With that he sent the parlor servant to get Pablo. For the list of attendees, he called his male secretary, Seņor Baca, and then he excused himself and left to deal with matters that he deemed more important.
     Almost a half hour passed before Iragene heard the door open. A beautifully dressed, effeminate older man entered the room. He still wore the Van Dyke beard that hadn't been in style for many years, but it seemed to suit him quite well. In a deeper voice than she expected, he addressed her.
     "Seņorita Jones, I was told that you requested to see a list of the attendees at yesterdays baile? Is that correct?"
     He knew and she knew that was correct, but she repeated her desire and need to see the list of guests that attended as well as those that were invited and had had to decline. Not a muscle moved in his face as he looked at her, and then he finally opened a ledger that he had in his hands.
     "You realize that only the very best people are invited to the Ortizes? That none of these people could possibly be entangled in something so debased as dallying with a servant?"
     "Seņor Baca, I am not here to cast aspersions on guests, nor to judge anyone's moral or immoral behavior, be that as it may. I am here to find out what happened to these girls."
     "What do you think happened?"
     "I'm not sure of anything at this time. Now, may I have the list?" She looked back at him until he finally relented and handed her the list. She decided to wait until she was alone before going over it, and Baca was only too glad to leave this woman that went against all rules of etiquette and propriety. He gave her one final unabashed look of disapproval and left her.
     She did a quick perusal of the list, noting that the traditional Nuevo Mexicanos were there. Other attendees were the American banker, the silver mine owner, and the General Store owners, as well as some family members from Santa Fe who were likely still here. Even Father Agustin, a very kind and progressive priest attended. She liked the Father, and she was sorry she had missed seeing him. He was quite worldly for New Mexico, and she could not understand why he would continue to work in this part of the New Mexico Territory. However, she enjoyed exchanging books, ideas, and wit. He was always a delight to see.
     There was no one out of the usual. Most of these people were the elite of the area and attended all the functions. Not a lot to go on here, but she kept the list and went out to find Cruz.
     She found him and Pablo by the servants' quarters, a crude adobe with a dirt floor that looked like a dormitory. Though each girl had little but a bed and a small chest, the room was tidy and cozy. Over the beds of several of the girls were wooden crosses. Though each girl had worked well into the morning to clean up after the party, each was back at her post, cooking, cleaning, or laundering.
     "Did you learn anything helpful, Cruz? Anything that could give us any leads?"
     "I found some footprints leading off the property from the garden area, but they could be gardeners or workers."
     "Let's take a look," Iragene responded with a bit of discouragement slipping through her usually confident voice.
     They walked around and saw nothing to enlighten them. They were about to turn back when Iragene cried out, "What is this — a shoe?" She reached out and picked it up. Though little more than a sandal, it seemed quite out of place out there in the thick raspberry bushes surrounding the property.
     "It might be Flora's shoe. Cruz, ask Pablo what he thinks."
     Pablo replied to him in Spanish.
     "Sheriff, he said that this shoe is Flora's. She always puts flowers on her shoes because of her name." Pinned on the shoe was a remnant of some Queen Anne's Lace, white and delicate.
     Iragene sighed with relief. Finally, somewhere to start. "Cruz, you and Pablo start here and go off in one direction. I'll start here and go the other way. Maybe we can find something. By the way, were the buggies parked on the other side of this foliage?"
     Cruz answered, "Yes, Sheriff."
     "Look and see if you can find any trampled plants or . . . "
     Cruz knew she meant Flora's body, so he and Pablo turned off in the other direction. But then Pablo suddenly stopped and thought. He then went on to describe to Cruz something about the bushes.
     Cruz explained to Iragene the possibility of a long forgotten gate, and they followed Pablo. Pablo started to move quickly, buoyed by the thought of finding Flora. At the farthest distance from the hacienda, he stopped. He spent about five minutes pulling away plants, shrubs, and the omnipresent raspberry and honeysuckle bushes before he discovered an area that had its own trampled foliage.
     "El otro zapato!" He picked up the other shoe triumphantly, and both Iragene and Cruz came to him and carefully examined the area. They tried to determine footprints, but the foliage on the ground was too thick.
     They followed as best they could until they found an area where horses had been tethered. Apparently the horses and their riders had been there awhile because there were signs of waiting: cigarette butts, a broken whiskey bottle, and behind a bush, some human excrement.
     "Ugh," Iragene said flatly, "definitely signs of somebody waiting. So someone came through, possibly carrying Flora and bringing her here? The riders followed the road I think, until the buggies and other guests' horses scrambled their tracks. Cruz, before we leave, let's see if we can pick up the tracks of these horses. Probably not, but it's worth a try."
     "Sheriff," Cruz said uncomfortably, "I need to tell you something. I got other information when I asked the girls about the guests, and Pablo verified the girls' comments. It's about the banker."
     "Oh, no, just come out and tell me what you heard." She had always liked Philip Benton, but she saw the expressions on Cruz's and Pablo's face. "This isn't going to be good, is it?"
     "No," Cruz replied. "Talk here or wait until later?"
     "I'm sure we're alone. They all think we're crazy out here in the dirt anyway. Tell me what you heard."
     "From what the girls say and from what the girls at the other haciendas say, the banker, Seņor Benton, is . . . ah, how do I say this?" He paused. "Seņor Benton is free with his hands. He likes to touch the girls. He gives them many hugs and compliments, but he touches without permission. They try to avoid him, but even if they just pass by him, he reaches out and touches them. He brings them gifts too."
     "What sort of gifts?" Iragene asked, looking at him.
     "Jewelry, sometimes sweets. But these gifts are not right, even for girls with nothing. They feel . . . I think you would say 'cheap.'"
     "Pablo, would you have any idea if Mr. Benton drove a buggy or rode here on his horse? Did he bring anyone else with him?"
     Cruz asked Pablo. When he got his reply he turned to Iragene. "He said he came alone on his horse."
      "Ask Pablo if he could recognize Mr. Benton's horse's shoeprints. Are they unique in any way?" Cruz spoke to Pablo.
     Pablo's expression answered her question. No information here. She turned toward Pablo and thanked him, "Muchas gracias, Seņor," then she signaled Cruz to join her in walking around the property, hoping to find something.
     After another hour, she sighed and decided it was time to call it a day. She waved to Cruz, and he joined her.
     "Sorry I wasn't able to find any more information, Sheriff. We sure don't have much to go on."
     "That's true, but we have something. First of all, this kidnapper probably picked his victim because she is poor and has no family. Second, Flora must have known him for her to follow him away from the house. Third, when he finally acted, he probably picked her up and carried her the final distance to the horses, thus dropping her shoes. Last, he planned the kidnapping in advance and had accomplices waiting to take the girl. He then went back into the party, and no one was even the wiser."
     "I think you're right, but why is he kidnapping girls?"
     "I have the same question, Cruz. This is getting more disturbing. Right now Benton, the banker is on the top of our list, but every man at the baile has enough money to pay men to help him steal these girls. I think the best thing to do is talk to Benton. We might just want to check on Eli Bush, the mine owner, and the merchant, Robert March and his wife. Maybe someone saw something out of the ordinary. Is Padre Agustin in town?"
     "No, he left yesterday for Santa Fe to visit his sister. Seņorita Jones, there were eight other hacendados and their wives there. Are you not going to question them?"
     "Not yet. Eventually I'd like to go and check out the other haciendas where the girls disappeared, Cruz. But right now I want to go back to town and talk to these three men, and I have to admit, speaking English is easier for me. After tomorrow, we'll start on the other hacendados with missing girls.
     They rode back in silence, both busy with their own thoughts. Both reviewed the events of the day and tried to see if they had omitted any detail. Sounds of the early evening broke through their thoughts as the whirrrrr of the first night hawk jarred them back to their location, a beautiful trail more than a mile high, overlooking the river, some forty feet below.
     Just below them a ridge jutted out. Here Iragene had often imagined camping out with her lover, Armando. But he was dead now, and she was surprised to find herself still entertaining thoughts about him. He had died defending her, and she still had difficulty believing that he would never be back. She glanced down again towards the river and saw what looked to be an outline of a horse.
     Cruz had seen the same thing and motioned for her to let him go down and see what was really there. Could the shadows of dusk be playing games with their perception?
     Cruz got off his horse and walked soundlessly toward the strange sight. He had spent several years with the Cochiti Pueblo, and they had taught him well how to hunt and how to be silent when doing so. She lost him several times as he made his way down to the ledge. A few minutes passed, and she heard him call her.
     Iragene tied the two horses just off the trail and followed down the ledge. Though she was graceful and sure-footed, she was not as silent as Cruz. He noted her arrival by the tiny cascade of pebbles she left behind her. She looked down at the shadowed mass, and even in the impending darkness, she saw it was a horse, a dead one without a saddle and bridle.
     The area was well trampled, and the poor horse was lying in an awkward position. Its leg was broken, and she must have fallen. The riders had left her where she fell and shot her in the head. Death, at least, was quick for her. On the ground next to the horse was something shiny. It was a small, delicate piece of silver with turquoise on a string. It was Indian made. Perhaps it was Flora's?
     "Cruz, do you see this? Can you see anything else around here in the dark?"
     "No, but I'll come out tomorrow at dawn before the ground is disturbed. Do you think the riders came here to rest or to walk through the river shallows to hide their tracks?"
     "I don't know, but if there is anything to uncover, you'll be the one to do it, Cruz. I don't think I could do this job without you. Someday maybe you'll help me become a better tracker." Luckily she couldn't see the blush on the young man's face or he would never have been able to look at her again.
     He shook his head and they started up the hill. The ride back was non-eventful but pleasant. After seeing to their horses and catching a meal at a local woman's house, known for her chile verde, they both retired, too tired to think anymore.
     The next morning Iragene got up and washed. She went over to the hotel where she got herself some coffee, about a third of it cream, and a plate of huevos rancheros with chile verde. Though she had eaten late, she was ravenous. She didn't look up until she had almost finished. When she did, she saw Mr. Benton the banker, eating a plate of pancakes and chorizo, a spicy sausage. He looked at her and smiled. He got up abruptly and carried over his coffee and plate.
     "Mind if I join you?" he said, as he sat down across from her. "I came by the office yesterday, and I heard you were out at the Ortiz place."
     "Yes, we were following up on another kidnapping. What did you want to see me about?" she asked, trying to discourage him from settling in too comfortably. However, he had. She continued to drink her caramel-colored coffee, wishing he had at least waited until she had finished. It didn't seem to bother him that he had interrupted her meal and had upset her. Heck, he hadn't even noticed her reaction.
     "Iragene, if I might call you that."
     "How about Sheriff, Mr. Benton?" she returned.
     He smiled patiently as a father would to a naughty girl and continued. "Sheriff, I heard about that other girl being taken the same night Mr. Ortiz had his party. I thought I'd come by and see if they ever found her. Did you find out anything?"
     Wondering if Benton was trying to find out what she knew, she smiled coyly and replied, "Yes, but right now, I would rather keep that to myself."
     "I see, you sly girl, you. Whatever you learned, I hope you use it to get that little girl back. She was a real sweet one, and I would hate to have anything happen to her."
     Iragene looked up quickly. "She was a real sweet what, Mr. Benton?" and she watched him closely as to his response.
     "Sweet girl, Sheriff. Like most of those working girls, she was always polite and efficient. Her going missing is a real tragedy. I wish you the best of luck finding out who did this. If I could be of any help, let me know."
     He got up to go, but Iragene felt she might as well take advantage of his being there. "Mr. Benton, the other night when you were at the baile, did you see anyone or anything unusual?"
     He stopped and thought. "No, I didn't. There was a lot of music, drinks, food, and beautiful women to keep me distracted all evening. No, wait —" He caught himself and then said, "No, I don't think so."
     Iragene waited, but he said nothing more. She wasn't sure how to proceed and then the question came out freely on its own. "Mr. Benton, are you always so familiar with the young servant girls?"
     "Familiar? Oh, you mean friendly. Yes, I love those little gals. They're hardworking and pretty. I figure they need some attention, working as hard as they do. Sometimes I even give them little gifts like jewelry. In fact, the other night I gave Flora, my favorite little gal, a necklace with some turquoise. I saw her wearing it."
     Iragene took the piece of jewelry out of her pocket and showed it to him. "Is this the necklace you gave her?"
     "Why yes, that is, where did you find it? She isn't . . . dead? Is she?" he stuttered. For the first time, his overly-friendly face turned serious. He looked at her, almost imploring her to say no.
     "No, we found it, but we haven't found her." Pushing back her chair, she bade him good-bye and thanked him for his help. "Mr. Benton, may I call on you again if I think of anything? Or would you call on me, if you can think of anything else?"
     "Of course, Sheriff. I hope you find those girls and the monster who is taking them." He looked at her and just shook his head as he walked out. His smile was gone, and he looked like a much nicer person and much less of a suspect.
     When she got to the clerk taking the money at the front, she found that Benton had paid her bill. Not knowing whether to be pleased or angry — he could be plying her with kindness to throw her off — she went out the door and headed for the General Store to meet with Mr. and Mrs. March.
     When she entered the store she got the surprise of her week. Inside the huge room, full of merchandise and people was her brother.
     "Daniel! I didn't know you were coming to town today!" She hugged her sweet brother and almost squeezed him too hard.
     "Iragene, you're going to make me pass out. Let up a bit, Sis." She did and they smiled at each other.
     "What brings you to town? This isn't your usual shopping day. Are you alone or did you bring Prudence and the baby? Is Cassie here? God, I miss you all, even if it's only been two days." Cassie was her girlhood friend that joined her family when they came out to New Mexico from Texas.
     "Actually I'm alone. It's Prudence's birthday next week, and I wanted to make sure the gift I ordered had arrived. I used the excuse of running out of oats for the horses to come to town. Cassie is in on this. It was her suggestion to order what I ordered."
     "And what did you order?" Iragene asked suspiciously, knowing that he would spend everything they owned on his wife and son if he could.

End Part 1, Part 2 coming next month.

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